Drum Samples and Swing

Music producers – veterans and newbies alike – mostly do not pay attention to two of music’s topics that are vital to a great beat and great song – density as time goes on and the swing applied to drum samples and instruments. The second topic, swing, will be the focus of this article and hopefully we will all learn something on the topic.

A lot of music producers (especially ones just coming into the game) will often question all the fuss about using swing on drum samples and other tracks in a beat. The answer given on a lot of forums and blogs is usually something like this: the human ear loves variance. If every drum beat was to fall on the exact time grid of quantization, it wouldn’t sound very pleasing. This is also the reason concerts are so popular. We’ve heard all the great songs already – countless times – but hearing them with some variation in drums and vocals is very appealing! If the artist instead simply played their CDs for the audience while lip-syncing, it wouldn’t be good at all. Not half as appealing as live instruments with the possibilities of mistakes.

When tapping out samples on hardware, the swing will act as some sloppy quantization. Not that sloppy, though, just enough to get you into the groove template. It’s great for those not yet very accurate with tapping.

But what exactly is swing? Swing is, again, like quantization, but without the 100% timing. There are various styles of swing templates, with varying degrees of swing. A 50% swing, for instance, is no different than snap quantization, so it’s not really swing at all. But moving beyond this, a 63% swing template, for example, is one which moves midi notes from the nearest quantization point by thirteen percent either way. The percentage is of the timing, so it would be thirteen percent of 1/16th note, if 1/16 was the timing selected.

When composing a beat or music project and using electric synthesizers – it can be neat to apply the swing template to just a few elements of the song. This way, you could, let’s just say, have the drum samples track with swing and the synth without swing and then just introduce one other element. This element on its own could be subject to a swing pattern, which can egt very interesting results depending on the sound device and the sound patch used in MIDI.

Using swing settings for drum samples is an acquired skill, and starting with percentages between 51% and 65% is a good start for most budding producers or those already established who had not delved into the rhythmic aspect of swing. There are various styles of templates that have come directly from groove machines like the MPC 2000 and so, and these can be useful to replicate the swing that legendary hip hop producers have used for countless classics.

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